Azada codes5/8/2023 Fortunately you can use purple gems to skip puzzles, and Azada is forgiving enough to keep the difficulty low so you can complete them and move on to greener pastures. Not everyone likes jigsaw puzzles or memory matching games, which could make some roll their eyes in disgust every time one of these comes around. The item-hunting stages are superb, but every puzzle page you encounter won't be as entertaining. Unfortunately Azada's greatest strength can also be its main weakness: variety. The story keeps you interested in the long-run, while the variety of puzzles treat you from moment to moment with new entertainment. You can request hints during the item-hunting scenes at the cost of 5 minutes each, but use them sparingly! You are also given a limited number of gems to use that allow you to skip puzzles.Īnalysis: Azada plays like a delicious blend of a Myst-like adventure with a casual puzzle game. The difficulty level in these puzzles is fine-tuned to give you just enough challenge to keep you interested but not frustrate you.Įach chapter has a time limit (usually around 30 minutes) that slowly ticks as you play through each page. Many of the rooms have a number of items you'll need to find and use in conjunction with each other, creating several "stages" within the page. Click to uncover items, clues, or new parts of the puzzle you'll need to complete the page. Move the cursor around and watch for sparkles indicating what you can interact with. In these levels you'll see a still scene of a room inside the mansion. The most common task you'll undertake is item-hunting, which just happens to be the most enjoyable part of playing Azada. As you piece together chapters, more of Titus' story is revealed.Įach page challenges you with a different type of puzzle to solve, ranging from matching games to sliding tile puzzles, memory matching and much more. Puzzles are presented in the form of pages of a book with eight making up a chapter. In order to release him you must solve a series of puzzles within his manor. You begin in a locked room listening to a spirit named Titus who has been imprisoned by his great uncle. Everything is so elegantly combined that you can't help but keep playing, both to uncover the rest of the story and to experience more puzzles. Take a point-and-click game such as Myst, then combine it with item hunting from Mystery Case Files and throw in a dash of short puzzles just for fun. 5 (b/w).Azada combines elements from a number of casual genres to create a game that's one of the most unique titles I've played in months. New Haven & London: Yale University Press, 2005. "From Dispersal to Collection." In The Persian Album, 1400–1600. "The Visual Language of the Persian Book of Kings." In Shahnama. New Haven and London: Yale University Press, 2002. "Persian Painting and its Sources." In Peerless Images. Mexico City: Consejo Nacional para la Cultura y las Artes, 1994. "Colegio de San Ildefonso, Septiembre de 1994–Enero de 1995." In Arte Islámico del Museo Metropolitano de Arte de Nueva York. Walker, Arturo Ponce Guadián, Sussan Babaie, Stefano Carboni, Aimee Froom, Marie Lukens Swietochowski, Tomoko Masuya, Annie Christine Daskalakis-Matthews, Abdallah Kahil, and Rochelle Kessler. The Metropolitan Museum of Art, Daniel S. Naples, Italy: Istituto Universitario Orientale, Naples, 1986. Series minor (Istituto universitario orientale, Dipartimento di Studi Asiatici, Naples, Italy), Vol. "Materiale per la storia di una tipologia figurative dalle origini al XIV secola." In La Leggenda di Bahram Gur e Azada. "The Flowering of Seljuq Art." Metropolitan Museum Journal vol. New York: The Metropolitan Museum of Art, 1965. The Metropolitan Museum of Art Guide to the Collections: Islamic Art. "Two bowls in One." Metropolitan Museum of Art Bulletin, New Series, vol. "New Accessions of Islamic Art." Metropolitan Museum of Art Bulletin vol. New York: The Metropolitan Museum of Art, 1958. "Additions to the Collection." Metropolitan Museum of Art Bulletin, n.s., vol. "The Iranian Institute, New York." In Guide to the Exhibition of Persian Art. London and New York: Oxford University Press, 1938. A Survey of Persian Art from Prehistoric Times to the Present, edited by Arthur Upham Pope. "The Metropolitan Museum of Art, New York, May 12–June 28, 1931." In Ceramic Art of the Near East. Paris: Librairie Nationale D'Art et D'Histoire, 1926. "Bibliotheque D'Histoire de L'Art." In Les Arts Musulmans. Parish-Watson Collection of Mohammadan Potteries.
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